The Kachin Independence Organization has seized a swathe of mineral rich territory on Myanmar’s border with China, but the group now has the tough task of running an ethnically diverse area mired in poverty and the legacy of strongman rule.
BY Frontier
The Kachin Independence Organization has seized a swathe of mineral rich territory on Myanmar’s border with China, but the group now has the tough task of running an ethnically diverse area mired in poverty and the legacy of strongman rule.
BY Frontier
Recent conflict has brought Myanmar’s biggest rare earth mining region under the control of the Kachin Independence Organization, yet it’s uncertain how it will handle the lucrative but environmentally devastating industry.
BY Frontier
Major shifts in national and state-level policies are needed to address the worsening situation of Myanmar refugees in India’s Mizoram state, alongside greater coordination by local humanitarian providers.
BY Frontier
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The rich diversity of Myanmar’s ethnic communities is manifested in distinctive traditions, many of which are centred on major life events.
BY Su Myat Mon
It’s been more than nine months since Rakhine State plunged into an even darker chapter, when attacks by the Arakan Rohingya Salvation Army prompted a brutal army crackdown that has seen 700,000 people – overwhelmingly Muslims who identify as Rohingya – flee over the border into Bangladesh.
Zaykabar chairman U Khin Shwe has written to his powerful relative by marriage, who is close to the state counsellor and heads a high-level commission, to appeal the postponement of work on a big mixed-use project in Yangon.
BY Kyaw Ye Lynn
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BY Su Myat Mon
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BY Oliver Slow
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BY AFP
An emerging group of young film directors is delighting audiences with original creations that challenge a tired movie production formula little changed in decades.
One of the leading lights of the “new wave” of directors is Christina Kyi, who burst onto the scene earlier this year with two hit films: Oo Pel Tamyin (“Deception”) and Mudras Calling.
BY Sithu Soe
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BY Thomas Kean
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