
The participation of Myanmar artists in an exhibition of South Asian works at the recent Dhaka Art Summit raises questions about the regional ‘ownership’ of art.
The plan to open up a section of Yangon’s industrial riverside area is a once-in-a-generation opportunity to support the country’s long-neglected artistic community.
The participation of Myanmar artists in an exhibition of South Asian works at the recent Dhaka Art Summit raises questions about the regional ‘ownership’ of art.
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